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Nicolas Trudgian Prints . com

All of the superb range of aviation and naval art prints by renowned artist Nicolas Trudgian, in one easy to navigate gallery.  Listing all prints from the RAF, Luftwaffe, United States Air Force and more - all of Nicolas Trudgians prints in one place.  Nicolas Trudgian Prints . com show all available aviation and naval prints published over the years by the Military Gallery, available from Cranston Fine Arts, the Military and Aviation Art Print Company.

 

 


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Aviation Print Packs
Avro Vulcan Aviation Prints by David Pentland and Nicolas Trudgian.
Vulcan Thunder by Nicolas Trudgian.

Vulcan Thunder by Nicolas Trudgian.
Vulcan Twilight by David Pentland.

Vulcan Twilight by David Pentland.
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Pack 890. Pack of two Me262 Aviation prints by Nicolas Trudgian.
Alpine Scramble by Nicolas Trudgian. (D)

Alpine Scramble by Nicolas Trudgian. (D)
Alpine Thunder by Nicolas Trudgian.

Alpine Thunder by Nicolas Trudgian.
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WW2 Corsair Naval Aviation Prints by Nicolas Trudgian.
Jolly Rogers by Nicolas Trudgian.

Jolly Rogers by Nicolas Trudgian.
The Black Sheep by Nicolas Trudgian (B)

The Black Sheep by Nicolas Trudgian (B)
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P-61 Black Widow Aviation Art Prints by Stan Stokes and Nicolas Trudgian.
Bite of the Black Widow  by Stan Stokes. (B)
Bite of the Black Widow by Stan Stokes. (B)
Twilight Conquest by Nicolas Trudgian.

Twilight Conquest by Nicolas Trudgian.
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Heinz Lange German WW2 Ace Aviation Art by Nicolas Trudgian and Graeme Lothian.
Mountain Wolf by Nicolas Trudgian. (B)

Mountain Wolf by Nicolas Trudgian. (B)
Fighter General by Graeme Lothian.

Fighter General by Graeme Lothian.
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 Mickey Mount, flying his 602 Squadron MkII Spitfire, successfully attacks a Messerschmitt Me109 low over the cliffs of Beachy Head on the south coast during the Battle of Britain in the summer of 1940. Spitfires and Me109s were so evenly matched at this early point in the war that the outcome of such contests were usually decided by the skill of the competing pilots.

Combat Over Beachy Head by Nicolas Trudgian. (C)
Was : £230
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 A dramatic low-level attack on a Japanese base near Rabaul is in progress by F-4U Corsairs of 16 Squadron, RNZAF. Taking the lead is Bryan Cox, as the Corsairs leave a trail of smoke and debris in their wake. Water vapor is squeezed out of the humid atmosphere as Coxs wingman banks sharply to avoid groundfire. The Kiwi Corsairs buccaneered their way through the intensly fought campaigns in the Solomons and Guadalcanal.

Kiwi Strike by Nicolas Trudgian.
Was : £100
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 With its macabre skull and crossbones insignia, and a reputation for total disdain of authority, VF-17 arrived in the Pacific with a variety of nicknames ranging from the Irregulars to the Cast-offs, but under the dynamic leadership of their Squadron Commander, Tom Blackburn, VF-17 made their presence felt immediately upon their arrival in the fall of 1943. Equipped with the F4U Corsair, VF-17 pilots had what Blackburn was convinced was the best fighter aircraft of World War II, and on 1st November, during the invasion of Bougainville, VF-17 pilots shot down 6 Japanese planes in their first taste of battle - 2 falling to the guns of their C.O.  Over the next 8500 hours of combat in the Solomons, its pilots shot down 156 enemy aircraft, 8 Japanese aircraft for each plane it lost, and produced the highest number of Aces of any squadron in the Navy.  Blackburns Fighting 17 were the toast of the Navy brass, earned the respect of their peers, and became known throughout the Pacific as The Jolly Rogers.

Jolly Rogers by Nicolas Trudgian.
Was : £450
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DHM2707D. Alpine Scramble by Nicolas Trudgian.

Alpine Scramble by Nicolas Trudgian. (D)
Was : £350
Now £300.00!

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FEATURED SIGNATURE



Oberstleutnant Gunther Scholz

After seeing action in the Spanish campaign, Gunther Scholz flew with 7./JG54 in Poland and France, and during the Battle of Britain. Transferring to the Eastern Front he flew with III./JG5 from February 1942, later with Geschwaderstab JG5. In July 1944 he was posted to Norway. Scholz was awarded the Iron Cross I and finished the war with 33 victories.

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Featured Aircraft

Hunter

Hawker Hunter F-1 to Fr-10 jet fighter and fighter reconnaissance aircraft first flew with No43 squadron Royal Air Force in July 1954. The Hawker Hunter continued service until 1971. The Hunters were used by two RAF display units, the "Black Arrows" of No. 111 Squadron who set a record by looping and barrel rolling in formation 22 Hunters, and later the "Blue Diamonds" of 92 Squadron that used 16 Hunters. A total of 1,972 Hunters were produced by Hawker Siddeley and under licence.

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 The engineers at Rolls-Royce had worked their magic.  They had somehow managed to squeeze every available ounce of power out of the current Merlin engine and by D-Day on 6 June 1944 the sleek Mk.IX Spitfires of Fighter Command reigned supreme in the skies over Normandy.  The magnificent Mk.IXs were, by far, the most numerous variant of Spitfires that fought from D-Day to the threshold of the Reich.  In the great drive from Normandy across northern France, Belgium and into Holland the Spitfire pilots of Fighter Command threw down the gauntlet to any Luftwaffe pilots brave enough, or foolhardy enough, to tangle with them.  Perhaps the greatest pilot to ever fly the Spitfire was the RAF&39;s top fighter Ace Johnnie Johnson.  His resolute determination and steadfast leadership came into its own during D-Day and the subsequent advance through Normandy, and he would finish the war as the highest scoring Allied Ace in Europe.  The scene captures the moment when, as Wing Leader of 127 Canadian Wing, Johnnie is seen leading Mk.IX Spitfires from 421 <i>Red Indian</i> Squadron RCAF out on patrol from their airfield at Evère near Brussels on a cold December morning in 1944.  It is close to the fighting and the German front line so, as the Canadians climb steadily out over the snow clad landscape in the golden light of dawn, they are already alert and on the lookout for the first signs of trouble.

Midwinter Dawn by Robert Taylor.
 The swaggering figure of the Reichsmarshal swept imperiously into the Air Ministry on Berlin's Wilhemstrasse, his jewel-encrusted baton and extravagant uniform as flamboyant as ever. This was Saturday, 30th January 1943, the tenth Anniversary of the Nazi Party coming to power, and Goering was about to deliver the main speech in tribute to the Party and its leader, the Fuhrer - Adolf Hitler.  The Royal Air Force had other plans for the anniversary.  In stark defiance of the imagined air security safeguarding Berlin, brave pilots of 105 and 139 Sqn's took to the air in de Havilland Mosquitoes, on course for Germany.  Their mission: RAF Bomber Command's first daylight raid on Berlin!  The raid was timed to perfection and three Mosquitoes of 105 Sqn raced headlong, low level towards their target - the Haus des Rundfunks, headquarters of the German State broadcasting company.  It was an hour before Goering could finally be broadcast.  He was boiling with rage and humiliation.  A few hours later, adding further insult, Mosquitoes from 139 Sqn swept over the city in a second attack moments before Goebbels addressed a Nazi mass rally in the Sportpalast.  Goering's promise that enemy aircraft would never fly over the Reich was broken, the echo of that shame would haunt him for the rest of the war.  This  dramatic painting pays tribute to this pivotal moment in the war, capturing the Mosquito B.Mk.IVs of 105 Sqn departing the target area, following their successful strike on the Haus des Rundfunk.

Strike on Berlin by Anthony Saunders.
 Without air supremacy D-Day and the invasion of north-west Europe would never have happened, and the tactical Ninth Air Force played a huge part in securing that position.  The Ninth had fought with distinction from the deserts of North Africa to the invasion of Sicily and the fighting in Italy.  They had spearheaded the assault on Ploesti and, from humble beginnings, had grown into one of the finest and most formidable Air Forces in the USAAF.  Then, in October 1943, the Ninth were sent to England for their greatest challenge so far - providing air support for the US First Army during the forthcoming invasion of Normandy.  By the morning of 6th June 1944 the Ninth was the largest and most effective tactical air force in the world, with over a quarter of a million personnel and more than 3,500 fighters, bombers and troop-carriers under its command.  Amongst them were the P-47s of the 365th Fighter Group - the fearsome <i>Hell Hawks</i> - a unit that by the end of World War Two would become legendary.  Amongst the first to use P-47s as fighter-bombers, the <i>Hell Hawks</i> were hard at work softening up the enemy in the build up to D-Day, dive-bombing bridges, rail lines, gun positions and airfields.  With two 1,000-pound bombs below their wings along with ten 5-in rockets and eight .50 calibre machine guns, their enormous firepower devastated the German defenses on D-Day.  The <i>Hell Hawks</i> supported the army throughout the Normandy campaign, all the way across northern France to the Battle of the Bulge in December 1944, and beyond.  It was a harsh nomadic life, eating and sleeping in tents and moving from one temporary strip to the next.  By the end of hostilities in May 1945 the <i>Hell Hawks</i> had moved through 11 different airfields, more than any other fighter-bomber group in the Ninth Air Force.
Hell Hawks Over Utah by Robert Taylor.
 Godwin von Brumowski's 13th victory against an Italian Macchi seaplane over Grado, in northern Italy.

Lucky 13 by Ivan Berryman.
 B-17G 2107027 is depicted limping home to Bassingbourn with the starboard outer propeller feathered following a raid during the Summer of 1944.  'Hikin' for Home' served with the 322nd Bomb Sqn, 91st Bomb Group as part of the 8th Air Force.  Escorting her home is Major George Preddy, the highest scoring P-51 pilot and sixth in the list of all-time top American Aces, seen here flying 413321 'Cripes a Mighty 3rd'.

Hikin' for Home by Ivan Berryman.
Wellington Mk.III X3671 of 156 Sqn piloted by P/O Fox is depicted laying mines in the Estuary of the Loire on the night of 16th April 1942 in the Bay of Biscay.  Just three days later, P/O Fox failed to return from a similar 'Gardening' sortie whilst flying Wellington X3485.

A Spot of Gardening by Ivan Berryman.
 Wing Commander Brendan 'Paddy' Finucane is shown flying Spitfire Vb BM308 of No.154 Sqn based at Southend in 1942.

Tribute to Wing Commander Brendan 'Paddy' Finucane by Ivan Berryman.
 On Wednesday 22nd June 1938 a new sound was heard over the humid streets of Singapore as four Bristol Pegasus radial engines heralded the arrival of the RAF's newest flying-boat.  For the men of 230 Squadron gathering on the slipway at Seletar, the approaching aircraft looked formidable and even from a distance, they could spot the powerful array of .303 machine guns it possessed.  230 Squadron had been chosen as one of the first units to be re-equipped with the world's most advanced flying boat - the Short Sunderland.  Richard Taylor's painting is a tribute to the outstanding Sunderland and the men who flew it in the Far East.  As the sun beats down on tropical island anchorage a Mk III Sunderland from 230 Squadron unloads essential supplies at a forward base on an archipelago deep in the Indian Ocean.  A second aircraft, breaking a patrol, prepares to land.
Tropical Duties by Richard Taylor.

Signatures

Some popular pilot and aircrew signatures from our database of over 2,000 signatures!

Erich Rudorffer

Raymond Grayston

Bud Anderson

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Mosquitos at Dusk by Nicolas Trudgian. (Y)

Mosquitos at Dusk by Nicolas Trudgian. (Y)
Price : £105.00
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Welcome Respite by Nicolas Trudgian.
Welcome Respite by Nicolas Trudgian.
Price : £70.00
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Invasion Force by Nicolas Trudgian. (Y)
Invasion Force by Nicolas Trudgian. (Y)
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Ace of Diamonds by Nicolas Trudgian (Y)

Ace of Diamonds by Nicolas Trudgian (Y)
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Mountain Wolf by Nicolas Trudgian

Mountain Wolf by Nicolas Trudgian
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Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide.  When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes.

Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do?"

After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: "Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come." Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching.

Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast.Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success.

 

 



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