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| CLICK HERE FOR A FULL LIST OF ALL NICOLAS TRUDGIAN PRINTS BY TITLE |
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Nicolas Trudgian Art Print List
Nicolas Trudgian Prints  Art Print List |
[UP] - Royal Air Force - US Air Force - German Air Force - Japanese Air Force - Military Art - Railway Art - Art Print List |
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Full range of Nicolas Trugian Aviation, Military and Train art prints Including the full range of prints published by the Military gallery. The last remaining art prints have been purchased by Cranston Fine arts including some rare items shown here. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do?" After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: "Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come." Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast.Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success.
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| Text for the above items : |
Head to Head by Nicolas Trudgian A classic head-to-head combat between Squadron Leader Sandy Johnstone in his Spitfire and an Me109 over the south coast of England on 25th August, 1940. With 602 Squadron scrambled to intercept an approaching raid. The Commanding Officer notches up his second victory of the day. Published 2000. |
The Black Sheep by Nicolas Trudgian. Few fighter units in World War II gained the notoriety of Pappy Boyingtons Marine Corps VMF-214 Black Sheep Squadron. Equipped with the Chance Vought F4U Corsair, under Boyingtons spirited leadership, the Black Sheep pilots were accorded one of only two Presidential Unit Citations awarded to Marine Corps squadrons during the war in the Pacific. With the American forces pushing up through the South Pacific, the First Marine Air Wing was urgently looking for a seasoned fighter pilot to form a unit to take the brand new F4U into combat. Boyington had the experience - he had become an Ace flying with Chennaults Flying Tigers in China - and the rank to lead a squadron; he also had a reputation as an aggressive fighter leader, and was a natural choice for the job. Recruiting pilots from the reserve pool, together with others awaiting assignment to squadrons, the 30 year-old Boyington - dubbed Pappy by his group of young pilots - knocked them into one of the most effective fighter units in the South Pacific. In their first twelve weeks of operation they brought down 97 Japanese aircraft, no fewer than 95 of which were enemy fighters. During this period they lost only 11 pilots. VMF-214 saw action at Guadalcanal, the northern Solomons and Vella Lavella; they were the first to strafe Kahili, the first to operate from the field at Munda while it was still under enemy artillery fire, and the first to lead fighter sweeps over Rabaul. Nicolas Trudgians outstanding painting captures the scene at Vella Lavella as Pappy Boyington leads his VMF-214 Black Sheep Squadron off the island strip to escort a B-17 Fortress raid on Rabaul in December 1943. Boyington led his Black Sheep pilots through two combat tours before being brought down himself and taken prisoner. On his last mission he shot down three Zeros, bringing his final tally to 28. He was to receive the Congressional Medal of Honor. Nicks fine image pays tribute to one of the US Marine Corps most illustrious fighter squadrons and to its remarkable leader. |
Patrolling the Beaches by Nicolas Trudgian. Issued to commemorate the 55th anniversary of D-Day, this print captures the moment as 401 Squadron Spitfires cross the beachhead for their fourth, and last, patrol on D-Day itself - June 6. |
Safely Home by Nicolas Trudgian. An Avro Lancaster bomber of Bomber Command is escorted back over the English coast by two Spitfires after a night bombing mission. |
End Game by Nicolas Trudgian. For bomber crews, any daylight-bombing mission almost certainly meant combat. If it werent the attentions of determined Luftwaffe fighter pilots, it would be an aerial carpet of flak that welcomed the bombers en route to the target - and again on the journey home. On most missions the Eighth Air Force aircrews had to contend with both. Enduring up to ten hours of concentrated flying under cramped conditions, extreme cold, with the constant noise and vibration produced by four powerful engines, made every mission uncomfortable enough without being shot at. But the USAAF aircrews confronted the odds - a one in three chance of completing a 25-mission tour of operations - cheerfully and with gallant resolve. Playing a major role in the great raids on Germany and other targets in occupied Europe from early in 1944, equipped with the Consolidated B-24 Liberator, the USAAF Second Air Division flew no fewer than 95,048 sorties. Based in Norfolk, England, the crews also attacked targets far distant in Norway, Poland and Rumania, unloading almost 100,000 tons of bombs and claiming over 1000 enemy fighters shot down. Published 2001. |
Richthofens Flying Circus by Nicolas Trudgian. Nicolas Trudgians dramatic painting recreates a scene near Cambrai, Northern France on the morning of March 18, 1918. Aware of a build-up of forces for a massive German offensive, many RFC squadrons attacked the German positions at very low altitude. Responding with as many squadrons as they could muster, including Richthofens JG1 wing, there followed one of the largest dog-fights of the entire First World War. Seen in the foreground are a Fokker Triplane and an Albatros, having winged a Sopwith Camel from 54 Squadron, as another Camel, and a Bristol fighter of 11 Squadron RFC turn to engage the German fighters. |
First Flap of the Day by Nicolas Trudgian. HM Stephen - one of the Battle of Britains top scoring fighter pilots, brings down two Me109s in quick succession over the White Cliffs of Dover, early on August 11, 1940. Flying a Spitfire with 74 Squadron, HM shot down five German aircraft on this day, and damaged a further three. The note in his log book starts First flap of the day at 0600 hrs ... Published 2000. Sadly, all of the pilots who signed this edition have since passed away. |
Summer of 44 by Nicolas Trudgian. As the Allied invasion of northern France drew nearer, the entire length of southern England had seemingly become one huge army camp. While the local population went about its daily business as best it could, British and American troops massed at every point near the coast in readiness for the imminent crossing of the Channel. Though the RAF fighters of 10 Group were tasked in the Air Defense role, like all RAF squadrons that could be spared, they became involved with the softening up process, a pre-requisite of any large scale landing on enemy occupied territory. Under the leadership of Wing Commander Peter Brothers, 10 Groups Spitfire Wing based at Culmhead was heavily involved flying shipping patrols over the beachhead and Rhubarbs - low-level strikes of opportunity - disrupting enemy movements and communications.Nicolas Trudgians comprehensive painting Summer of 44 recreates with such realism a scene in southwest England just a few days before the Normandy landings in June 1944. Mark IX Spitfires of No. 126 Squadron, returning from combat over France, sweeps low over the local branch line railway station on their way back to Culmhead. Below, as the GWR Prairie tank engine pulls out of the station, American troops are assembling their equipment in readiness for the impending invasion. Adding great atmosphere to his composition, Nick has painted a classically peaceful English landscape, highlighting the unique contrast between war and peace that pervaded Britain during that summer of 44. Published 2000. Only 8 prints of this edition remain. Signed by two of the most outstanding Spitfire Wing Leaders of World War II. |
Bomber Force by Nicolas Trudgian. The tension is electric; slowly they climb to circle the airfield while the entire squadron gets airborne. Below, the countryside reverberates with the sound of roaring Merlin engines. RAF Lancaster bombers of 617 Squadron. |
Rocket Attack by Nicolas Trudgian. It required more than a little nerve to fly a fighter into the barrage of fire sprayed out by the gunners of a box of B17 bombers; it took even greater courage to do so in the rocket propelled Me163 Komet. With rocket science still in its infancy, these small aircraft were still in the experimental stage, and piloting what amounted to a flying bomb was in itself a perilous business, let alone flying them into combat. But these were desperate times. The day and night bombing assault on Germany was bringing the mighty war machine to its knees, and aything that might help stem the tide was thrown into battle. Powered by a mixture of two highly volatile chemicals, the slightest leak, or heavy landing could cause a huge explosion, and the mix was so corrosive that in the event of even a minor accident, the pilot could literally be dissolved. Sitting in a cramped cockpit, surrounded by dangerous chemicals and ammunition, the intrepid aviator would be launched into the sky on what was, at best, a four minute mission. After, hopefully, engaing the enemy, he would glide powerlessly back to the nearest airfield to be refuelled so as to attempt the hazardous operation all over again. Though limited to a handful of victories, the Komet did make the Allied crews wonder what else the Luftwaffe had hidden up its sleeve, and had the distinction of being the forerunner of aircraft technology that eventually took aircraft into space. Capable of nearly 600mph and climbing to 30,000ft in less than two minutes, this tiny rocket propelled Me163 Komet was typical of Germanys ingenuity in its desperate attempts to stem the havoc being wreaked by the USAAFs daylight bombers. |
Lone Hunter by Nicolas Trudgian. No text for this item |
Return to Rattlesden by Nicolas Trudgian. With their crews, the 447th Bomb Group B-17 Fortresses arrived at Rattlesden in late 1943, the East Anglian base from which the group flew all its missions until the end of the war. Entering combat on December 24, the 447th targeted submarine pens, naval installations, ports and missile sites, airfields and marshalling yards in France, Belgium and Germany in preparation for the Normandy invasion. In the thick of the bomber offensive, the 447th took part in the Big-Week raids, supported the D-Day landings, aided the breakthrough at St. Lo, pounded enemy positions during the airborne invasion of Holland, and dropped supplies to the Free French forces fighting behind enemy lines. During the Battle of the Bulge, December 1944 - January 1945, the group attacked marshalling yards, railroad bridges and communications centers in the combat zone, later resuming their offensive against targets deep inside Germany. When the war ended the 447th had flown over 257 individual missions, with one of their aircrew, Robert Femoyer, being awarded the Medal of Honor. Theirs was typical of the action packed campaigns flown by the American Eighth Air Force bomb groups in Europe during WWII. Published 2001. Signed by eight combat crew veterans flying B-17 Flying Fortresses for the 447th BG out of Rattlesden, England, during World War II. |
Tiger! Tiger! by Nicolas Trudgian. The infamous Tiger Tank, one of the the deadliest fighting machines ever built and the most successful tank ace of WWII, Michael Wittmann. Wittmanns Tiger advances towards Beauvais in June 1944 to intercept the advancing British 7th Armoured Division - the famous Desert Rats - during the Allied Invasion of Normandy. Awarded the Knights Cross with Swords and Oak Leaves, Michael Wittman was the most decorated tank commander of WWII but, together with his entire crew, lost his life on August 8 in the battle for Cintheaux when his Tiger received a direct hit from a rocket fired by an RAF Typhoon ground attack fighter. |
Stapme's Final Attack by Nicolas Trudgian On December 23rd 1944, during the Battle of the Bulge, Squadron Leader Basil 'Stapme' Stapleton was flying his Hawker Typhoon of No.247 Squadron on an offensive patrol from his base at Eindhoven. Behind enemy lines, he spotted a train and pressed home a determined attack with rockets and cannon fire. Unluckily, as the boiler of the locomotive violently exploded, shrapnel damaged his aircraft and Stapme had to make a crash-landing, spending the rest of the war as a prisoner. |
Ruhr Valley Invaders by Nicolas Trudgian. When the seasoned B-26 crews of the 386th Bomb Group took delivery of their Douglas A-26 Invader aircraft in September 1944, the arrival of their new fast attack bombers neatly coincided with a move to France. Now based at Beaumont-sur-Oise, they were able to penetrate deep into enemy territory. The three man crews took part in the Battle of the Bulge, their twin engined aircraft being well suited to their task of destroying strategic bridges and cutting vital supply lines. After the Ardennes Campaign, now fully equipped with the A-26, the 386th BG continued to strike hard against important targets in Germany, the nimble handling characteristics of the aircraft making low-level attacks a speciality. As the Allies advanced upon Germany the 386th moved to St. Trond in Belgium, their base at the time of Nicolas Trudgians dramatic painting. Arriving at high speed over the busy German rail yard in the heart of the Ruhr Valley, barely skimming the nearby factory chimney stacks on the way into the target, the A-26 crews on the 386th deliver a devastating blow, leaving a trail of destruction in their wake. With bombs away, the Invader crews strafe the area with their battery of ten forward-firing .50 cal. machine guns, the roar of their twin 2000hp engines heightening the tension and confusion on the ground. Published 2000. Signed by three distinguished A-26 Invader aircrew who flew the A-26 in combat during World War II. |
Jet Strike by Nicolas Trudgian (AP) Arguably the most significant fighter leader of World War II, Adolf Galland took command of all German day and night fighters, but was in constant dispute with Luftwaffe supreme, Goering, who ultimately sacked him. Reinstated by Hitler, Galland returned to active combat in the final year of the war, commanding the legendary JV44 fighter wing, flying the Me262 jet. The great Adolf Galland ended the war as he had begun - flying fighters in daily combat, the only serving General ever to lead a combat wing in action. Gallands Me262s of JV-44 climbing to intercept a formation of B-17s in April, 1945. |
Tiger Fire by Nicolas Trudgian. In early 1941, many months before Pearl Harbor, an irrepressible bunch of American fighter pilots, together with 200 ground crew, came together and stood alone against the might of the Imperial Japanese Air Force. Under the indomitable command of General Claire Chennault, their task was to keep the vital road link open between the port of Rangoon and the city of Kunming in South West China. A treacherous unpaved track, hacked through mountain terrain and known as the infamous Burma Road, was the only lifeline for supplies into China from the outside world. With the Japanese hell-bent on its destruction, the Flying Tigers were all that stood between defeat and survival. With little support from home, and almost without replacement aircraft or spares, the P-40 Tomahawk pilots of the American Volunteer Group - the AVG - became the scourge of the Japanese Air Force and heroes to the people of China. In a six month period of combat, with no more than 50 or 60 serviceable aircraft at anyone time, and invariably heavily outnumbered in the air, they destroyed some 300 Japanese airplanes, damaging and destroying another 300, and causing incalculable damage to Japanese ground forces. During its brief existence this remarkable group became one of the most successful and famous fighter units of all time. Their short but glorious private war came to an end when on July 4th, 1942 the AVG was absorbed into the USAAF and Chennaults Flying Tigers passed into aviation folklore. Motivated by the legend of the Flying Tigers, Nicolas Trudgian has painted one of his finest pictures. Dominating the foreground is a stunning view of Chuck Olders P-40 - one of the 3rd Pursuit Squadrons, known as Hells Angels - in hot pursuit of a bunch of Zero fighters up ahead. Close by to his left another Flying Tiger finishes off a Zero, already on its way down. Below the pastoral scene is caught unawares by the sudden approach of fighters, as the fast-moving dogfight hurtles across the landscape. |
Vulcan Thunder by Nicolas Trudgian. An Avro Vulcan BMk2 of No. 617 (Dambuster) Squadron thunders into the air in a scene from the early 1960s. Painted in all-white anti-nuclear flash markings these Vulcans formed the mainstay of the R.A.F. nuclear strike force. |
Bob Stanford-Tuck Tribute Folio by Nicolas Trudgian. Bob Stanford-Tuck waits at dispersal in his 257 Squadron Hurricane during the Battle of Britain. Promoted to command 257 Squadron, Bob was one of the Battle of Britains leading Aces. |
D-Day Armada by Nicolas Trudgian. There was never a greater concentration of air power deployed in an active theater of war as over the English Channel in May and June 1944. As D-Day approached, the USAAFs Ninth Air Force had assembled over 3500 aircraft a day, they were pounding enemy positions all the way from Pas de Calais to the coast of Normandy. 6 June 1944, arguably the most decisive single day in modern military history, saw the sky filled with waves of troop carrying aircraft towing gliders, dropping over 20,000 highly trained men in support of the massed sea-borne landings on the beaches below. Grabbing all the airspace they could find, the combat wings of the Ninth Air Force were creating havoc among the German ground forces as they scrambled to get troops and armor to the battlefront. |
Back from Normandy by Nicolas Trudgian. Like the Messerschmitt 109, its great adversary throughout almost six years of aerial combat, the Spitfire was a fighter par excellence. Good as many other types may have been, these two aircraft became symbols of the two opposing air forces they represented. Their confrontation, which began in 1940 during the Battle of Britain, continued without interruption until the last days of World War Two. From an air force teetering on extinction in the dark days of 1940, by the summer of 1944 the pilots of RAF Fighter Command had fought their way back to become top dogs. And when the invasion of northern France came, they swept over the beaches in force, cutting deep into enemy occupied territory, hammering the enemy in the air and on the ground. Key to this air superiority was the supreme performance of the Spitfire, its ability to out-fly the Luftwaffes best, and the wily leadership of the pilots who had survived the early air battles of the war. Among the best was 26 year old Pete Brothers, by 1944 a highly successful and experienced fighter pilot commanding his own Wing. Having fought through the battles of France and Britain, now with a clutch of air victories to his credit, in 1944 he took command of first the Exeter Wing, and then the Culmhead Wing, ideally placed to support the coming invasion of Normandy. Nick Trudgians striking painting recreates a typical scene as Mk IX Spitfires of 126 Squadron, led by Wing Commander Pete Brothers flying his Mk V11 Spitfire wearing high altitude paint scheme, race back to base at RAF Culmhead after a low-level attack on enemy transport in Normandy. The Culmhead Spitfire Wing flew constant armed Rhubarb attacks in support of the invasion from D-Day - June 6 1944 - till the first improvised strips were established in France a few weeks following the invasion. This beautiful aviation print, contrasting the frenetic pace of war with a restful English coastal landscape, evokes the memory of a legendary fighter aircraft that, flown by gallant pilots, helped change the course of history. Prints are signed by Pete Brothers and two other pilots who flew Spitfires in combat during World War II. |
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This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com |
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