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| CLICK HERE FOR A FULL LIST OF ALL NICOLAS TRUDGIAN PRINTS BY TITLE |
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Nicolas Trudgian Art Print List
Nicolas Trudgian Prints  Art Print List |
[UP] - Royal Air Force - US Air Force - German Air Force - Japanese Air Force - Military Art - Railway Art - Art Print List |
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Full range of Nicolas Trugian Aviation, Military and Train art prints Including the full range of prints published by the Military gallery. The last remaining art prints have been purchased by Cranston Fine arts including some rare items shown here. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do?" After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: "Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come." Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast.Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success.
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| Text for the above items : |
In Defense of the Reich by Nicolas Trudgian. The legend of Willie Messerschmitts Me262, and the elite fighter Aces who piloted this revolutionary jet aircraft, is as secure as any born during the Second World War. As they hurtled into the air, climbing at speeds hitherto unknown, a small group of seasoned pilots heralded a new generation of combat aircraft that would extend into the 21st century. At the spearhead of this new era in combat flying was the mercurial fighter leader Adolf Galland. Sacked for opposing the naive tactics of Luftwaffe supremo Hermann Goering, Galland found himself, as a General, once again leading a squadron of fighters into battle. Although too late to change the spectre of imminent defeat, this tiny group of highly decorated Aces fought a courageous rearguard action during the final Defense of the Reich. Seen blasting off an airfield in Bavaria are four Me262s, led by General Adolf Galland. Glistening in the damp air these sleek fighters are on full power in their rush to climb to altitude. Within minutes they will attack an incoming mass formation of B-17s and B-24s. Below, the roads and buildings reflect the sunlight between the scattered clouds of a departing storm. |
Readiness At Dawn - The Battle of Britain, 1940 by Nicolas Trudgian Spitfires of 74 Squadron return to their base from an intense dogfight over the English Channel. As soon as they land they are hastily re-armed and re-fuelled by their diligent ground crews, so at a moments notice they can be scrambled to intercept another raid from the German Luftwaffe. By the end of October 1940 The Battle of Britain was won by the gallant few and the plans to invade England were terminated. |
Hurricane Heroes by Nicolas Trudgian. Hurricanes of 87 Squadron return to their West Country base after repelling attacks by Luftwaffe bombers on nearby aircraft factories, August 1940. Flight Lieutenant Ian Gleeds Hurricane, in which he scored 20 victories, leads the Squadron pilots back to base to refuel, re-arm, and get airborne without delay. Published 2000. Signed by three famous Hurricane pilots who fought in the Battle of Britain. These are three fantastic rare signatures to have on one art print and sadly all three have since passed away. |
Heroes Return by Nicolas Trudgian. In a classic image of wartime England, Mk V Spitfires, symbol of the RAF, defiant against the threat of the Luftwaffe return to their base in the heart of the beautiful rolling English countryside. |
P-51 Mustang by Nicolas Trudgian. Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series. |
Desert Sharks and Eagles by Nicolas Trudgian. The air war fought in the skies above the inhospitable wastelands of the North African desert were among the most hotly contested of the war. The outcome of the bitter land war raging below largely depended upon who controlled the air space above, and both sides knew it. JG-27, having cut its teeth in the battles of France and Britain, was the first Luftwaffe unit to arrive in North Africa. Commanded by the mercurial Eduard Neumann, its Me109s were superior to the Hurricanes and P-40 Kittyhawks flown by the RAF pilots and, without the restriction of close escort duties dictated on the Western Front, the JG-27 pilots roamed the desert skies, closing in combat with the British fighters at every opportunity. The North African air campaign spawned many fighter aces, including Hans-Joachim Marseille who claimed more than 150 victories in his short career - more than any other Luftwaffe ace flying against RAF pilots. The scale of the desert air war is highlighted by raw statistics: 1400 British aircraft lost; over 1200 Luftwaffe destroyed. A dog-fight between Me109s from JG-27 and P-40 Kittyhawks of the RAFs 112 Squadron, led by Killer Caldwell, and later Billy Drake, 112 Squadron were in constant combat with Edu Neumanns fighters as they jousted for air supremacy above Rommels advancing Afrika Korps tanks. Below them, the desolate beauty of the Libyan desert stretches as far as the eye can see. Published 2001. Signed by two RAF and two Luftwaffe pilots (both of whom did not sign many art prints) who fought in the desert campaign, sadly all of whom have since passed away. This is a sought after art print and well worth adding to your collection. |
Hunter Force by Nicolas Trudgian. A pair of Hawker Hunter Mk9 jets from No.58 Squadron R.A.F. based at R.A.F. Wittering are seen climbing over the south coast of England in 1973. |
Mosquitos Over the Rhine by Nicolas Trudgian. Mosquitos from No 105 Squadron R.A.F. based at Marham, Norfolk, England, on a low-level intruder strike over the Rhine river, Germany in December 1942. |
Winter Combat by Nicolas Trudgian. Hannes Trautloft in his FW190 leading his famous JG54 bring down a Russian Petlyakov Pe-2 on the Eastern Front in 1943. This dramatic painting is set in a superb winter landscape. |
Black Devil by Nicolas Trudgian. (B) Top-scoring ace of all time, Erich Hartmann, scrambles his black tulip nose Me109 from a snow-covered airfield on the Eastern Front. Christened Black Devil by Russian pilots, many of whom hurriedly vacated the vicinity when Hartmanns distinctively painted fighter appeared. Hartmann ended the war with 352 air victories. |
Winter Wolves by Nicolas Trudgian. On December 16th 1944, Hitler mounted the largest offensive in the west since 1940. It was his last desperate offensive of World War II. With Germanys industrial heartland in ruins, its factories pulverised by Allied air raids, and opposing armies advancing on two fronts, the Third Reich appeared on the verge of collapse. The sudden and fierce reposte caught the Allied forces by surprise, forcibly demonstrating Germanys ability and will to continue the war. It was the Fuhrers last great gamble, and when American and British forces recovered to smash the brutal offensive, Hitler had spent the last energies of his crumbling empire. That final, desperate assault became known as the Battle of the Bulge. At dawn on December 26th, pilots of the 1st and 4h Staffels of 1./Gruppe JG26 took off to provide cover for the forward Panzer divisions, which were coming under attack from P51 ground attack fighters. Although flying brand new Focke-Wulf Fw190Ds, on take off they immediately lost contact with their controllers, forcing the Gruppe to adopt Free Hunt tactics. It made no difference, they quickly found the opposition! This painting captures the Fw190s of JG26 at full tilt, as they power across the spectacular winter landscape in the Ardennes. Flying at tree top height to avoid radar detection, the Luftwaffe pilots hurtle above German tanks and trucks lumbering towards the battlefront. The early morning glow glistens in the crisp morning snow bringing an air of serenity to a poignant and historic scene. |
The Last Offensive by Nicolas Trudgian. Herbert Ihlefeld leads the Fw190s of JG1 over the Ardennes during the last great offensive by German forces in the west on Christmas Eve, 1944. |
Battle of Kursk by Nicolas Trudgian. (B) On 5 July, 1943 over 6000 German and Russian tanks clashed near the town of Kursk, just 300 miles south of Moscow. It was the beginning of what became the greatest tank battle in history. In the skies above this conflagration, an air battle of monumental proportions raged, with the German and Russian air forces locked in combat. This was war on a scale hitherto never imagined. A full week later the Battle was still raging, reaching a crescendo on 12 July when Hoths 4th Panzer Army met head-on with Rotmistrovs 5th Guards Tank Army near the village of Prokhorovka. With the Russian T34s electing to fight at close quarters, so desperate was the fighting that opposing tanks resorted to ramming each other. As the battle moved across the landscape all became utter confusion. Playing a major role in the air were the Luftwaffes Ju-87 Stukas, equipped with massive 37mm cannons slung under their wings. Led by Hans-Ulrich Rudel, the legendary Stuka pilot, these formidable tank-busters made a significant contribution to the Battle of Kursk. Nicolas Trudgians painting records the dramatic events at Kursk in a spectacular rendition that captures the very essence of this mighty land and air battle. Dominating the scene are a pair of Ju-87s. Having knocked out two T34s, they weave over the landscape as they try to avoid the attentions of Russian Yak 9s, the gunner of Rudels aircraft - in the foreground - blazing away with his machine gun. A pair of Fw190s have entered the fray, and the air is filled with smoke and cordite. In a typically detailed Nicolas Trudgian landscape, below the aerial contest Russian and Panzer tanks are seen in close combat, desperately maneuvering to gain some advantage. The old farm buildings show the ravages of war; tank tracks crisscross the fields, stretching into the distance where the battle extends to the horizon. A masterpiece in military art. |
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This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com |
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